Gary hoffman cello biography

gary hoffman cello biography

Gary Hoffman - Violoncello - Artist biography . Kronberg Academy

    It is impossible, in that case, to lie to oneself under the gaze of a Pablo Casals or an Artur Rubinstein.

Biography - Gary Hoffman

  • Cellist Gary Hoffman gained international renown as the first North American to win the Rostropovich International Cello Competition in 1986.

    • Gary Hoffman – Masterful Cellist Crafting Timeless Harmonies

      How could he not already sing in his mind’s ear, even before placing his bow on the strings of the Nicolò Amati cello of which accompanies him everywhere and which once belonged to Leonard Rose?.

    Gary Hoffman Joins Curtis Institute of Music Faculty

  • Cellist Gary Hoffman gained international renown as the first North American to win the Rostropovich International Cello Competition in
    • Gary Hoffman - Curtis Institute of Music

    Home - Gary Hoffman

  • Hailing from Vancouver, Canada, Gary Hoffman was the youngest faculty appointee in the history of the Indiana University School of Music, where he remained for eight years.
    • gary hoffman actor Gary Hoffman: a passion for wide open spaces.
    gary hoffman linkedin Gary Hoffman has lived in Paris since 1990.
    gary hoffman concerts Gary Hoffman is one of the outstanding cellists of our time, combining instrumental mastery, great beauty of sound and a poetic sensitivity.

    Gary Hoffman, cello - Chamber Music Houston

      Gary Hoffman is one of the most respected musicians of his generation.

    The unbearable lightness of being Gary Hoffman - Elbow Music

  • Gary Hoffman is one of the most respected musicians of his generation.

    • Gary Hoffman – Artist Biography | tonebase Cello

      Beethoven’s five sonatas for cello and piano laid the foundations of twentieth-century musical thought.

    The unbearable lightness of being Gary Hoffman

    Gary Hoffman is one of the music world’s best-kept secrets, a fine and uncompromising cellist whose rare appearances mesmerise. For him, being a musician involves a daily struggle, but he wouldn't have it any other way, as he explains

    I wouldn’t call Gary Hoffman a great cellist. Not after our conversation at the recent Amsterdam Cello Biënnale. He told me in no uncertain terms what he thinks of the expression: ‘These words are thrown around. Everybody’s “great”. Are they all great? Casals was great. Heifetz was great. Bach, John Coltrane – I reserve that word for those people. This is the age where you’re supposed to say “like”, “don’t like”. It’s been reduced to such superficial terms.’

    Without throwing adjectives around, I think it’s fair to suggest that Hoffman deserves a place in the pantheon of cellists. I only heard him for the first time two years ago at the Piatigorsky Cello Festival in Los Angeles and w