Wilhelm kage biography of christopher
Wilhelm Kåge @ Gustavsberg Porcelain Museum ...
- Wilhelm Kage () was born and raised in the Swedish capital of Stockholm.
Wilhelm Kåge - Designer Biographies: 20th Century Modern Art ...
- Within a year, Wilhelm Kage had created the functional service series, "Liljebla" (Lily Blue).
Wilhelm Kåge – A Biography - Mother Sweden
Wilhelm Kåge - Designers & Artists - Maison Gerard
| Harvey William Kage, a man who lived a thousand lives and touched many more, passed away in the early morning hours of Saturday, May 5, 2018. | |
| Wilhelm Kåge (1889-1960) is one of the most well-known representatives of the illustrious Swedish ceramic design of the 20th century. | |
| John August William Kage was born on month day 1876, in birth place, Michigan, to August Kage and Fredricka Sophia Kage (born Keso). |
Wilhelm Kåge - Designer Biography and Price History on 1stDibs
Wilhelm Kåge - Wikipedia
Category:Wilhelm Kåge - Wikimedia Commons
- Wilhelm Kåge.
Wilhelm Kåge – Ceramics from Gustavsberg - Mother Sweden
Wilhelm Kåge - The Makers Guild
- Algot Wilhelm Kåge (6 March – 25 November ) [1] was a Swedish artist and designer, mainly known as a ceramic designer and as the artistic leader of the Gustavsberg porcelain factory.
WILHELM KÅGE (1889-1960)
Wilhelm Kåge is an icon of the Swedish ceramic design of the 20th century. He was the artistic leader for Gustavsberg in the 1930s and 1940s and is often called the father of Swedish modernism. Kåge is represented at the Swedish National Museum of Art and Design.
Wilhelm Kåge was born and raised in the Swedish capital of Stockholm. He studied drawing at the University College of Arts, Crafts, and Design in Stockholm. He continued his studies in Munich, perfecting his skills as an illustrator. During WWI, he gained notoriety in Sweden for his colorful posters for theaters, lotteries, and exhibitions.
Wilhelm’s poster art attracted the attention of the Gustavsberg porcelain factory. The factory was hoping to revive interest in its production, sought out artists with new ideas. Wilhelm accepted the offer, despite his lack of experience in clay, throwing, and glazing. His task was to add an artistic touch to the factory’s functional items.
Within a year,