Wodiczko krzysztof biography of mahatma
Krzysztof Wodiczko - Wikipedia
KRZYSZTOF WODICZKO - gsd.harvard.edu
The Art Of Un-War follows artist Krzysztof Wodiczko
- Krzysztof Wodiczko (born April 16, 1943) is a Polish artist known for his large-scale slide and video projections on architectural facades and monuments.
Krzysztof Wodiczko - Concordia
- Krzysztof Wodiczko was born in in Warsaw,Poland, and lives and works in New York and Cambridge,Massachusetts.
Projections - Krzysztof Wodiczko
Media Art Net | Wodiczko, Krzysztof: Biography
- Krzysztof Wodiczko () is a Polish-born artist working in New York, New York, who creates large-scale videos and slides that are projected onto monuments and buildings.
Krzysztof Wodiczko | Biography - MutualArt
Oral history interview with Krzysztof Wodiczko, 2021 June 28-30
- In Krzysztof Wodiczko graduated from the Academy of Fine Arts (ASP) in the Industrial Design Department, Warsaw.
Krzysztof Wodiczko
Polish artist (born 1943)
Krzysztof Wodiczko | |
|---|---|
Wodiczko in 2009 | |
| Born | 1943 (age 81–82) Warsaw, Poland |
| Occupation(s) | Industrial designer, tactical media artist |
| Years active | 1968–present |
Krzysztof Wodiczko (born April 16, 1943) is a Polish artist known for his large-scale slide and video projections on architectural facades and monuments. He has realized more than 80 such public projections in Australia, Austria, Canada, England, Germany, Holland, Ireland, Israel, Italy, Japan, Mexico, Poland, Spain, Switzerland, and the United States.
War, conflict, trauma, memory, and communication in the public sphere are some of the major themes of his work. His practice, known as Interrogative Design, combines art and technology as a critical design practice in order to highlight marginal social communities and add legitimacy to cultural issues that are often given little design attention.[1]
He lives and works in New
| "Alfredo Jaar's 'He Ram' (1991) is inspired by Mahatma Gandhi's list of Seven Social Sins: “Politics without Principle; Wealth without Toil;. | |
| Transcript Preface. | |
| This chapter introduces elements of “liminal design,” defined across his- torical and contemporary works as design that provides the “participant,”. |